The Plot Machine

This book presents a new and exciting theory of the modern French novel by developing the notion of the narrative as a "textual machine".

The Plot Machine

The Plot Machine

This book presents a new and exciting theory of the modern French novel by developing the notion of the narrative as a "textual machine". Many turn-of-the-century French novels thematically identified their means of narration through the various machines that they depicted. The narrative devices that were particularly important in this self-reflection included: the temporal order of the plot, the question of a narrative's beginning and end, the hierarchy of narrative voices, and the techniques of the point of view. The question of mechanization became central on all these fronts. Has the novel become automated or machine-like? At the same time, the machine metaphors in the novels of Alfred Jarry, Emile Zola, Jules Verne, Villiers de l'Isle-Adam, Raymond Roussel combined the question of the narrative form with new ways to think about man's relationship with technology and the cultural environment. The early modernist texts drew upon contradictory notions of technological promise and threat while they also depicted new forms of identity and behavior, related to or modeled after machines. These texts highlighted cultural assumptions concerning technological innovations and critiqued, mainly through parody and through various figures of man-machine fusion, the positivistic belief in progress. Such writers looked for evidence of advanced forms of consciousness arising out of encounters with new technology such as: telephones, trains, bicycles, telegraphy, phonographs and electricity. This volume will be of interest to anyone working in the field of modern French literary and cultural history. It will especially appeal to anyone intrigued with the origins of the modernist novel, the history of narrative forms, and the question of how the experience of new technology may be portrayed in literary texts.

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The Plot Machine
Language: en
Pages: 267
Authors: Kai Mikkonen
Categories: Social Science
Type: BOOK - Published: 2001 - Publisher: Rodopi

This book presents a new and exciting theory of the modern French novel by developing the notion of the narrative as a "textual machine". Many turn-of-the-century French novels thematically identified their means of narration through the various machines that they depicted. The narrative devices that were particularly important in this
The Plot Machine
Language: en
Pages:
Authors: Kai Mikkonen
Categories: Social Science
Type: BOOK - Published: - Publisher:

There are a lot of books on story structure, but only THE PLOT MACHINE presents a step-by-step guide to designing a story. In clear precise language, this guide discusses the various types of stories we tell, their specific parts, and how they are assembled. Say good-bye to staring at the
The Plot Machine: Crime
Language: en
Pages: 118
Authors: Dale Kutzera
Categories: Social Science
Type: BOOK - Published: 2017-02-08 - Publisher:

Tired of staring at the blank page? Have you lost your way through your story's second act? Want a road-map for your Nanowrimo novel? Struggle no more. THE PLOT MACHINE: CRIME builds on the story-design principles of THE PLOT MACHINE, focusing on the most popular crime genres: caper, revenge, thriller,
Plot Whisperer Workbook
Language: en
Pages: 224
Authors: Martha Alderson
Categories: Reference
Type: BOOK - Published: 2012-08-18 - Publisher: Adams Media

Turn lackluster plots into irresistible stories! When it comes to writing bestsellers, it's all about the plot. But creating a captivating storyline that mesmerizes your audience until the very end is easier said than done. With thousands of engaging books on the shelf, you'll need to set yours apart by
Christianity and the Culture Machine
Language: en
Pages: 328
Authors: Vincent F. Rocchio
Categories: Religion
Type: BOOK - Published: 2016-08-05 - Publisher: Wipf and Stock Publishers

Christianity and the Culture Machine is a precedent-shattering approach to combining theories of media and culture with theology. In this intensive examination of Christianity's role in the cultural marketplace, the author argues that Christianity's inability to effectively contest the ideology of secular humanism is not a theological shortcoming, but rather

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